Journal of surviving Rudall Carte brass instruments, with archival and catalogue data. Appear to have been numbered in a single sequence of serial numbers. Rudall Carte Serial Numbers Flutes. 3/27/2017 0 Comments. This beautiful S/H Rudall Carte Bb Clarinet Outfit is an. How to date Rudall flute? Rudall Rose, & Carte simple system flute register THE RUDALL & ROSE - RUDALL, ROSE & CARTE - RUDALL CARTE & CO. REGISTER This is an attempt to document surviving simple system flutes made by Geo. Rudall, Rudall & Rose, Rudall, Rose & Carte & Co. And Rudall Carte & Co. The main source of this information has been auction house sites, E-bay auction listings, music instrument collections, internet flute sites, Robert Bigio's work 'The art of the flute', highly recommended, and from contact with owners of Rudall & Rose, Rudall, Rose & Carte and Rudall & Carte simple system flutes such as John McLeod, Jem Hammond, Andrew Kirby, Andrew Pickering. I decided to make a register available based on serial numbers and including any auction house description, or other information that is connected to each flute/serial number. Please notify me of any new serial numbers not in the register, also of any discrepancies or mistakes. Rose - 1816-1821 John Rose University of Edinburgh: Stamped with a thistle motif and 'J.M. ROSE / EDINBURGH / 1'. Technical description: Rosewood, 3 sections (lower body and foot in one piece); silver keys with slim keytouches and shanks; 3 ivory ferrules; ivory cap; no tuning-slide but graduated ivory screw-stopper; slightly oval embouchure-hole; overlapping low C/C_ touches; socket at top of upper body, tenon on head. Keymount type: knob. Keyhead type: flat, round; low C_ [and C] pad riveted to keyhead. Repair History: A few springs have been replaced and roughly soldered to keytouches; lowest keyflap is a replacement by Daniel Bangham (2002). Measures 659 mm. John Rose Bate Collection: Stamp: Jn Rose Edinb - ebony, head joint has no tuning slide, six silver square flat keys, silver rings, 673 mm (Ref.: R. Bigio - Rudall Rose & Carte, p 158) John Rose University of Edinburgh: Stamp: Thistle J. Rose Edinburgh - cocuswood, tuning slide, round flat keys, wide silver rings, 667 mm (Ref.: R. Bigio - Rudall Rose & Carte, p 159). Founding Directors of Howarth of London T. Howarth & Co. First came into existence in 1948 when members of three families united to form the company. The three families were the Mooneys, the Ingrams and the Howarths, each of which had been involved in woodwind instrument manufacture and repair for many years prior to 1948. The founding directors of T. Arnold MyersHowarth & Co. Were Thomas Howarth, George Ingram and Frederick Mooney. University Of WashingtonFrederick Mooney was born in 1903, the youngest of eight children, six boys and two girls. In this large family the boys were encouraged to follow their father and grandfather into the musical instrument making trade, while the girls successfully followed the female line into dressmaking for the aristocracy. Synthesia mac keygen photoshop. Fred’s father Thomas and his grandfather Frederick had both worked for the military musical instrument makers, Distin, and the indenture reproduced on the inside front cover details Thomas Mooney’s apprenticeship to the company in 1859. Fred learnt his trade from a number of instrument repairers and assemblers operating between the wars including a period at the Premier Drum Company and at the band instrument maker Besson. At Besson he specialised in making clarinets and during his time there, in 1934, Boosey & Hawkes acquired an interest in the company. The Howarth family began their involvement with instrument making when George Howarth, Thomas Howarth’s father, moved down to London from Rochdale. Born in 1860, he was the son of a pastry cook, but he did not follow in the family trade and once he moved to London he became an apprentice at the flute makers Liddle.
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